Advance: 9€ + bf 1,2€= 10,2€ (+sf) from Tiketti, http://www.tiketti.fi
Door: 10 € before 23:00, after 13 €
100 VIP tickets (Only from Tiketti)
Price 20€ including booking fee (+ service fee)
VIP ticket includes:
-VIP entrance with free queue passing at the venue -Special gift @ Venue (remember to ask from ticket seller!!!)
-No queuing at the afterparty entrance @ Playground (afterparty ticket is not included to the price)
SUPER VIP ticket only from email: [email protected]
550€ SUPER VIP for 10 people (only 1 table for sale)
SUPER VIP ticket includes:
-VIP entrance with free queue passing at the venue and escorting to the table
-Table reserved for all night next to the stage, best place at the club ;)
-1 bottle of Grey Goose vodka + mixers, 2 bottles of sparkling wine
-No queuing at the afterparty entrance @ Playground (afterparty ticket is not included to the price)
There are few figures in electronic music who manage to combine commercial success with underground respectability. The Bristol-based producer and DJ known as TC is one such individual, utilising his talents to comfortably flit between remixing Number One artists and unleashing rave-razing bass-driven monsters pitched straight at the underground.
Sitting atop of an anthem-packed discography that
includes some of the most memorable dancefloor tracks of modern times, and with remixes for the likes of Rihanna, Damian Marley & Nas and Tinie Tempah behind him, TC should need little introduction to any fan of bass-driven music.
First emerging with tracks for one of jungle/D&B’s most legendary labels, Dillinja’s Valve Recordings, it was the release of TC’s debut album ‘Evolution’ in 2007 that propelled the young producer to D&B’s top table.
Packed with anthems such as the utterly unique ‘Deep’ featuring MC Jakes, ‘Jump’, ‘Rockstar’ and the enormous ‘Where’s My Money’ (famously remixed by Caspa), ‘Evolution’ earned TC the titles of ‘Breakthrough Producer’ and ‘Producer Of The Year’ at the BBC Radio 1Xtra Drum & Bass Awards, while catapulting him to the top of Radio One’s National Dance Chart and earning unprecedented radio support from everyone from Pete Tong and Jo Whiley to MAH and Zane Lowe, with the latter bestowing TC with highly regarded ‘Record Of The Week’ title on more than one occasion.
More than just another faceless DJ or studio-confined producer, early on TC broke convention by singing on many of his own tracks, and provided vocals for Pendulum’s debut album ‘Hold Your Colour’, a habit he continues to this day, having recently supplied vocals for Hospital starlets Camo & Krooked’s debut LP and the mighty Subfocus’ forthcoming second album.
After taking a short break from the spotlight, 2011 saw TC return to the raves and the airwaves in style, dropping one of the year’s biggest D&B bangers ‘Tap Ho’ while turning his hand to dubstep on ‘Concrete’ and drumstep on ‘Burning Starlight’ (both featuring vocals from Dread MC). Released through his own freshly launched record label, Don’t Play, the artistic freedom offered by being his own boss is already clearly paying dividends for TC.
“I’m not playing around anymore; I don’t want to do things by halves,” TC stated in a recent interview. “I think I’m at a stage now where I can choose my own path.” And with Don’t Play firing on all cylinders, a packed global DJ schedule and more massive tracks up his sleeve, TC is quite clearly on the right path. 2012 already has his name all over it....
Reso bio
This is what Civil Music are saying
Reso is simultaneously moving a whole spectrum of electronic genres forward while further cementing his place as the overlord of hi-tech dubstep. With Reso wobble, hypercrunk, breaks, wonky, hip-hop and D n B all receive the treatment. Reso’s deep musicality, incredible skill, intricate programming and wildly diverse references place him at the peak of a new breed of electronic producers.
The sonic counterpart to roaring robotic futurism, Reso’s hybrid of rising ambience, hyper beats and speaker busting tech-basslines feels more suited to a post apocalyptic Tokyo than the contemporary concrete of most Dubstep. A truly visual experience his music’s mech-mania induced synthesesia conjures images of neon-tinged neo-Japanese cityscapes, powerful hulking automatons and violent bassline machismo.
After killer 12inches « If Ya Can’t Beat Em » and « Heavy Arms EP » (both on Civil Music) and a host of remixes from Wiley, the Qemists to Crookers through Drop The Lime, Reso kicked off 2010 with a bang. His 2x12inch Temjin EP opens his new musical worlds to the wider electronic audience and rewards the playstation generation, loyal club kids and seasoned steppers who go wild for Reso’s productions already. Reso’s diverse references will draw fans from all realms of the electronic spectrum. Emotive and unique, Reso’s new rhythmic possibilities and perfectly chaotic programming make this essential for fans of Dubstep through Techno to IDM, from Skream to Thom Yorke to Rustie via Bukem.
As Reso moves towards his debut album for Civil Music due early 2011 he’s dropped his “In Da Mix” CD on Z-Audio, joined the Hospital Records Family to showcase his genre redefining DnB skills with Slap Chop and squeezed in Remixes for Drop the Lime, Foamo, Qemists and dEbruit amongst others.
Currently busy preparing his Live show (in between touring the USA and Europe). His sonic take over is surely underway.