Travis Stewart is better known as Machinedrum, formerly known as Syndrone, and is one half of Sepalcure (a collaboration with friend Praveen Sharma). At 19 he released his debut album Now You Know on the influential Miami-based Merck Records and gained worldwide attention and praise from musicians, fans and critics in the scene. It was heralded as the "standard to which the next wave of imitators aspires" by Pitchfork.
Covering an astonishing variety of styles with ease, he has always been a trailblazer - bridging the gap between genres that would otherwise never have met before. Having a strong background in both acoustic and electronic instrumentation, he dances between those elements on all his releases. In 2011, Machinedrum released a Sepalcure album on Hotflush, a Boiler Room anthem in the form of Alarma – the stand out dubplate on Jackmaster’s Fabric 57 Compilation. Travis also released the critically acclaimed full length Room(s) on Planet Mu which included artwork by LuckyUs. 2011 truly was a meteoric year for ‘Drum with releases rightfully placing him in the top ranks of this new fusion dance music.
A true electronic music Renaissance man, Machinedrum blends together current pop music standards and trends with his own extensive knowledge of experimental production techniques, delivering his quality signature on every thing he touches.
Fingalick is a project uniting two very different poles - a dreamy, gentle and ever-inspired vocalist and a hard-hitting, dancefloor-pumping beast. This split person is as unpredictable as its music, ranging from cosmic neo-soul and r’n’b, evolving into post-dubstep and mindblowingly deep dance music. The only thing is for sure - the magical flow of inspiration is guaranteed through the whole performance. Experience the cosmos of sound. Mystic of today, musician of the new European generation, experimenter that will catch your ear - Fingalick is at your fingertips.
Maksim Adel aka Bisweed has had an interest in music since early childhood. Acquiring the piano as a first love instrument in elementary school developed Maksim’s desire to create music. At the age of 13 he began composing his own tracks on the computer and 16 was the age when Bisweed could be seen already behind the decks in many local and foreign venues. He is interested in many experimental music styles, but the main favorite for today is however dubstep. His production also released by record labels in Germany and UK take listeners on different mood-bearing trips chaperoned by Maksim’s signature low end frequencies.