Muffler
Defence b2b Oscar
Bates
Ugly Baby
Supertyyli
Bass + ass + star + bastards = BASSTARDS
Basstards is a brand new drum 'n' bass club concept which brings here the hottest artists and freshest new talents. Every night hits you heavy dose of baselines and fattest beats. We don't give a shit who you are, come and dance your bad ass off!
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BASSTARDS PRESENTS: ED RUSH (UK)
MAIN ROOM
ED RUSH (Virus, UK)
http://www.myspace.com/edrushvirus
Muffler
http://www.myspace.com/djmuffler
Defence b2b Oscar
OTHER ROOM:
Bates
Ugly Baby
Supertyyli
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DATE
Saturday 15.1.2011 // 22:00-04:00 // Age 18
VENUE
Playground
Iso Roobertinkatu 10
00120 Helsinki
TICKETS
Advance: 10€ (incl. bf) from Tiketti, www.tiketti.fi
Door: 12€
Facebook event:
http://www.facebook.com/event.php?eid=175947669095651
Ed Rush Biography
There aren’t many artists who can claim to have changed the face of a genre of music, let alone to have changed that face more than once. Ed Rush however is an exception to that rule. Ever since his first production outings alongside his neighbour (and infamous owner of No U Turn Records), Nico Sykes, Ed Rush has consistently proven he has the ideas and attitude to transform drum & bass and is never afraid to push that infamous envelope.
Moving through the sounds of hip hop and electro in his early musical years, like many of his peers Ed Rush became fascinated with the burgeoning rave scene that was blowing up his hometown of London. The breakneck speed chopped breakbeats and piles of sub-low bass appealed greatly, and it wasn’t long before Ed Rush had convinced Nico to work on some tracks with him. The first result of their production partnership, of course, being the immense ‘Bludclot Artattack’, an out-and-out darkside jungle classic which marked a new era in hardcore, pushing the music into the realms of what we now know as drum & bass.
Hooking up with another legend of the drum & bass fraternity, DJ Trace, Ed Rush began to hone his style and it wasn’t long before a fresh sound reared its ugly head. Blasting out of the Ed Rush studio setup like a breakbeat bullet, ‘The Mutant’ became another instant classic track and was swiftly followed by ‘Guncheck’, another instantly recognisable Ed Rush piece packed full of attitude and bashy bass.
Now fully immersed in crafting a style which was to become known throughout the world as ‘Techstep’, Ed Rush’s rise to prominence was now inevitable. Releases on Grooverider’s Prototype imprint and Goldie’s Metalheadz all confirmed his place as one of the leading producers in the new school of drum & bass elite. Not only was he making great music, but he was continuing to break new ground with his ideas and production techniques; new ground which would forever change the sound of drum & bass.
However, as we all know, it was Ed Rush’s team up with another great musical mind, Optical, that unleashed upon the world an album, a label and an audiological echo that would inspire thousands of copycat producers and spawn an entire generation of artists who, even a decade later, would still strive to come close to that Virus sound.
Dropping their immense debut album, ‘Wormhole’, upon an unsuspecting scene, Ed Rush & Optical literally created an entirely new set of rules for succeeding in drum & bass: Take a set of tracks considered too edgy for the major players of the time, add your own label and a pinch of self determination and you end up with what is widely regarded as the best drum & bass LP of all time!
Never a pair to rest on their laurels though, the lads have since moved through three more critically acclaimed albums, ‘The Creeps’, ‘Original Doctor Shade’ and the incredible semi-live project ‘Chameleon’, all with their own individual styles and personalities. 2009 sees them tackle the release of their fifth long player, ‘Travel The Galaxy’ a project which promises an eagerly awaited injection of that classic Virus future funk with a blend of today’s production techniques that will prove hard to resist.
